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Monday, May 07, 2012

Rendering






HOW TO RENDER

1)   If the scan came up a bit light adjust the brightness and contrast so that you will be able to select the white out of the images
2)   Double click and unlock the layer – call it tech sketch/dds
3)   The aim of the first part is to get an outline that is completely black, solid outline, completely black.
4)   Delete the parts of the images you don’t need
5)   Just select the white – do this with magic wand and unclick contiguous (contiguous off)
6)   Now if you click on the image there should just be an outline (delete black)
7)   Make sure there are no gaps in the drawing so that you can select things. NO GAPS
8)   If you mess up fix it using the paint brush tool
9)   Now you need to make the color of the outline a solid black: select the entire thing (contiguous off), select inverse and then fill the outline all black – solid black.
10)                  Now you have the outline – leave it, this SHOULD NEVER BE TOUCHED AGAIN i.e. don’t fill it with pattern

TO FILL WITH COLOR
1)   create new layer and place underneath  TECH SKETCH
2)   put contiguous on and select on the TECH SKETCH LAYER select the inverse so that just the shape of the skirt
3)   then go back to the pink skirt layer and fill the selection with color

TO FILL WITH PRINT
1)   you need to build the pattern so that it is the correct size – open the pattern file
2)   duplicate layer into the skirt file
3)   resize in increments to avoid pixilation
4)   shrink it down by 25% until it fits in the canvas (so enter in 75% to the top left hand box)
5)   duplicate and merge and make the pattern smaller
6)   put the layer underneath the outline – don’t EVER DELETE THIS u can just keep reusing this layer to render
7)   make a copy and turn off the main print layer
8)   break it up into stages, you want to make it look as though it curves around
9)   create a selection around the first tier, then make a new edit – edit à transform à warp  and move the fabric so that it looks like it is gathered into the top
10)         go back to the magic wand making sure that contiguous is on. To do this you need to go back to the outline layer, if you hold down shift you can make multiple selections. Go back to print copy, select inverse and press delete to get rid of all the other muck
11)         repeat for each selection of the garment
12)          repeat this
13)         finally select the whole thing  (flat image) and create an outline to fill in any gaps
14)         turn on the top layer (outline)

TO CREATE SHADOW
1)   shadow gets a separate layer always (so you can repeat and adjust the opacity)
2)   make it about 35%
3)   then go to brush tool and select black, make sure that it is very soft
4) add in shadow where appropriate – choosing a light source

Sunday, April 29, 2012

Pattern Development process

My initial concept was inspired by a weekend trip that I took to the blue mountains about a month ago. I took a lot of photos of rocks and rock faces and canons and water running over rocks, I also climbed a lot of stairs. Inspired by this my initial starting point was I wanted to do a pattern with rocks which had an illusion element to it (like stair illusions) and was very geometrical with harsh lines jutting lines. 

To begin with I did some initial research into illusions and also some inspiring patterns/artworks.


Damien Hirst, 2010, Butterfly Postcard, viewed 8th April 2012, 


I love the Kalediscope effect, I really like symmetrical patterns like this Ricardo Tisci Print for Givenchy (also used on the Watch the Throne cover) 

Ricardo Tisci, 2011, Bird of Paradise Print, viewed 8th April 2012, 


I looked up a couple of different illusions that I liked as well such as 
M. C. Escher, 1953, Relativity, viewed 8th April 2012

Roger Penrose,1958, Penrose Triangle, viewed 8th April 2012,
http://en.wikipedia.org/wiki/Penrose_triangle
Lionel Penrose and Roger Penrose, 1959, Penrose Steps, viewed 8th April 2012, 

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From this brief research I did some sketches of illusions so and illusions patterns as a way to start brainstorming.







This last sketch was kind of a tangent from the first three, whilst sketching the first three I had the idea that I wanted to kind of marry the my direct environment which is made up of buildings (since I live right in the city) with the natural rocks, so make the rocks look as though they were emerging from the water in building like formations. This kind of formation kind of reminded me of way that stalactites and stalagmites form, or the way that crystals grow out of the rocks, so it all seemed fitting with the rock theme.


So now I was beginning to look at rocks and making my pattern more abstract lines and turning these lines in to looking like other images. In a cafe our table number had this graphic on the back of it 


The geometrical lines inter connecting inspired me to try and do something like this, I was particularly interested in recreating the eye in a kind of collage effect. It kind of reminded me of the term 'the hills have eyes' and I thought the creepy watching aspect kind of fitted in with the illusive illusions that I explored before. 




As well as my photos that I took at the blue mountains (which I will upload all of them in to another post) I also decided to look at some of the photos that my family took on our vacation to the grand canyon as inspiration. 












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I then begun to start playing with the photos on photoshop. I first begun with creating a plain stripe. I did this by taking a photo and reflecting it on the vertical axis twice so that a kind of continuos landscape was created. 



I then kept doing this until this was created


The photos that I used for this were:
Top stripe 

The three middle stripes were all the same photo just chopped into different sections 
The bottom stripe was this photo 
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In the end the basic stripe pattern that I ended up creating looked like this 
I really didn't like this pattern, I thought that it was boring, lacked cohesion and the colors were ugly. I suppose I did this more as an exercise to get myself used to using photoshop and as an exploration of what I dont like. 
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I then went on to start constructing the eye. At first I tried to create an eye from memory using different elements which I found the photos 
for example 
I thought that didn't work so well and wasn't the look that I was hoping to achieve. So then I decided to put the photo on the back and overlay different macro and micro photos to gradually build the eye up.


Firstly I made the pupil. I did this by taking this photo, using the burn photo to mark int he rocks and oversaturate there colors. I then reflected and rotated it so that it made a square. From there I then cropped it into the shape of a circle. I thought it was a good photo because it is very dark like a pupil but then has some texture so it makes it more interesting and gives it more depth.  




I then took it over into another document and started building up the eye. Here are the process shots 
Overlaying the photos, with the appropriate colors for the part of the eye

trying to find the most appropriate part to make the darker part of the lid 

the eye made without a bottom lid or eye brow

looking at the different photos to use for the eye brow

the final product - all made from images from the blue mountains 

From there I then changed the colors and thought that it would be cool if I did a kind of creepy eye melting thing so I also put it through the liquify tool. 


I then experimented with adding text underneath it because I thought it could look cool


however I then decided that it would probably look to busy once i put it into repeat.


Now that I had this art work I was stuck as to what to do with it because a simple block repeat would be too boring. So I looked at overlaying it over an artwork that I had made perviously which combined water photos and the Grand Canyon 


Initial art work - Grandcanyon photo in reflect with a photo of water ripples with an overlay filter

I then started building up the eyes with an overlay filter 



Once I got to this point i realized that I didn't like this either because it forced the eye to travel from top to bottom too much which would mean when it is in repeat it wouldn't flow particularly well (in my opinion) I wanted to make something more seamless. 


I then decided that it could look cool if I combined it on a stripe, so I recreated another two stipe with the eyes in the middle. 
However after I had done it, although I liked it I didnt like the dominating reflecting line running through the middle. This means that I would have had to go back to beginning, so I decided to abandon this pattern in the meantime and try out my original idea with the triangle. 


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TRIANGLE PATTERN 
What I did was have the image printed out next to me and recreated it by using stripes as showen and just rotating them into place 





I then fixed up the corners. 


I then thought that it would be fun to try using the different overlays and created this effect with the colors 
I then looked at rotating it etc. so that it would fit into one another, but all of those kind of failed as I didn't like the way it looked - I thought it started to look like a bad 80's triangle print so I abandoned this idea. 

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I then decided to go back to the stairs idea but instead us the photos that I had taken of waterfalls with slow shutter speed as the stairs. The photos I used for this were 










Then I started over laying them and working them into an artwork




I kind of wanted the water to flow into one another and become this continuos stream of water so I started experimenting with changing the opacity and the liquify gallery  

 I didn't really intend on making this but i got carried away and really really liked this effect, i reminded me of a marble print that ksubi did back in 2009 


Now that I had found an art work that I really liked I decided to put it into half drop repeat, I did this by following the tutorial on UTS online. Here are the process screen shots 

And so once I followed the whole tutorial I had this pattern!
On the whole the pattern turned out really differently from what I expected but I really like it because I think that the colors provide a sense of cohesion and overall the pattern is very balanced.